Erase and Rewind

We find ourselves in the program of a twenty-first century picture. Its status is one of self transformation. The film begins with black-and-white shots of collapsing buildings, yet the concrete forms slowly dissolve after a short time, become unclear, are transformed in a new visibility; soon they are recognizable only as masses of abstract surfaces, which show peculiar spots of colour all in the red-green-blue-range. The surfaces, bubble-like formations, are turbulent, rhythmic; the ‚dance‘ to an underlying electronic soud field of crackling noises. (Stefan Macheiner, Marc Ries)