Jak całkowicie zniknąć

Gerda meets Little Robber Girl in the Berlin subway. There's only ten, twelve hours until they part. The common interests turn into a love affair, and all ends in the morning. But there's still a huge space to navigate through by night. The film gets as close as possible to a free jazz composition. It's about colors, flickering lights, rush, sounds and the smell of a summer night in the city. Everything passes and dies each minute as life is a never-ending sequence of things held for just a moment. There's no cinema anymore. And what was known as cinema is now just an intention of holding a camera. There's poetry and music coming from the streets, and we repeat the verses aloud. (Przemysław Wojcieszek)