No Land's Song

In Iran, since the revolution of 1979, women are no longer allowed to sing in public as soloists – at least in front of a male audience. Defying censorship and taboos, the young composer Sara Najafi is determined to organize an official concert for solo female singers. In order to support their fight, Sara and the Iranian singers, Parvin Namazi and Sayeh Sodeyfi, invite three female singers from Paris – Elise Caron, Jeanne Cherhal, and Emel Mathlouthi – to join them in Tehran and collaborate on their musical project, re-opening a musical bridge between France and Iran. Not only do they succeed in singing side-by-side in front of a mixed audience, but they also open a door towards new freedom in Iran.