Blah Blah Blah

Brehm here examines his own film oeuvre, not for the purpose of seeing what he has achieved, but in the interests of casually increasing its intensity. All hope for calm is disappointed, because Brehm has applied the principle of the mental foray to his own film, which he shoots with his camera, speeds up, turns around, and makes absorb itself. (Bert Rebhandl)