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Most of the film was shot without daylight. The spaces where the film was shot are slowly closing down – the film actually shows something that no longer exists; the mine will close down in a few years, the mine shafts will be filled up with earth... The ”Soul“ of the working-class town of Trbovlje (hometown of choreographer Iztok Kovač and the main source of his inspiration) – embodied in the rhythm of work and rest – has almost entirely evaporated, and its ”Body“ – the gigantic industrial plants built on the surface above the underground network of shafts – lies scattered around the valley like the bones of a decaying animal in a desert. But to a discerning eye this gives a picture of the uniqueness of what used to be the mechanism which our fathers, mothers, uncles and grandfathers so enthusiastically built and breathed though. A picture of our childhood. (Iztok Kovač, Sašo Podgoršek)